queen circus gay bell
whole blind bull camp
coo cruise drag dike
fish flute fruit mother
punk queer rim sew
swing trade velvet wolf
blackmail prowl bar
house club restaurant
tea room top men
breast farm hammer
blonde stiff radiator
erect politician stroke
cigar child newspaper
fight asphalt
Another found poem. This one comes from an infamous chapter in Canadian history--the effort on the part of the RCMP, mandated by the federal government and the military, to build a machine to identify queer people. This top-secret high security undertaking, the "Fruit Machine" project, gets going in the 1950s and 60s, when "national security" is evidently threatened by that scurilous curious hybrid, the "commie pinko fag" and all of his or her friends. The idea was to show gay and straight pornography to suspected gay people strapped in barber's chairs (only a couple of rhetorical steps away from the electric chair here), and to use a device to measure the dilation of their pupils as they looked at the gay pornography. The idea was that the more the pupils dilated, the greater the involuntarily revealed interest. (If this story makes you think of some infamous scenes from Clockwork Orange, you're on the right track.) A second phase of development was supposed to measure sweat responses to stimuli, but results from the first phase were so unsatisfactory (unreliable) that the entire project was ultimately abandoned. Apparently finding willing test subjects was also profoundly difficult. The RCMP resorted to shadowing gay and lesbian clubs, secretly photographing patrons, and pressuring subjects they picked up to reveal the identities of various suspected queers. Many people refused to become informants, but over the course of this period, data was collected on some 9000 Canadian citizens, and hundreds of queer people, particularly in the military and the civil service, lost their jobs.
The words in the poem come from word associations used in initial "fruit machine" tests. Words in the first stanza are clearly supposed to evoke associations with the gay life; words in the second stanza are designed to suggest "strong," "upright," "straight" ("manly?") associations and virtues. ("Wanna fight?")
The text of the poem is drawn from Gary Kinsman & Patrizia Gentile's important book The Canadian War on Queers: National Security as Sexual Regulation. Vancouver: UBC Press, 2010.
Also worth looking at: Gary Kinsman, Dieter K. Buse and Mercedes Steedman, eds. Whose National Security? Toronto: Between the Lines, 2000. Note, the first time I called up and perused this book on google books, the framing language (when the book was published, where one might buy it, etc.) was all in Hebrew. It took three tries and several specific searches for the book title to pull down a google book with English framing. What does this mean? Your guess is surely as good as mine.
For a brief video introduction to the "Fruit Machine," see the following clip from the CBC digital archives: http://www.cbc.ca/archives/categories/society/crime-justice/mounties-on-duty-a-history-of-the-rcmp/rcmps-fruit-machine-to-detect-gays.html
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