What we're doing to stay afloat--the book!!

Yes, it is true, by the end of October 2015, What we're doing to stay afloat will be available in book form. 

The end of September and it was all done: the pages checked and double-checked and the cover proofed in emails and phone calls back and forth between publisher, designers, copy-editor and me. Ten days earlier the version I'd corrected vanished from the book designer's in-box; for some reason her email server would not accept messages from any of my accounts. We waded through the details on the phone and I sent my marked-up copy from my partner's email account. Success! One more version to proof, which we did, and then everything was sent off to the printer. Now we wait, and sometime towards the end of October there will be a book, a tangible object to touch and to hold, to open, to leaf through, to read.

Where can you get a copy? You can email me, leave me a message in the comments section of this blog or via facebook messenger, or order a copy directly from Indigo Books here  https://www.chapters.indigo.ca/en-ca/books/what-were-doing-to-stay/9781897426753-item.html
or Nimbus Publishing here http://www.nimbus.ca/What-Were-Doing-to-Stay-Afloat-P7335.aspx

Meanwhile, I'm also planning, building a website for, and soon will be installing my first solo video installation, entitled Flows (Given Water).  The show features video haikus of meltwater, looped projections of shifting inter-tidal zones, and enormous silent projections of moon jellies propelling themselves through deep green seawater. The weather turns rainy, and my dreams, too, are submerged in water greens and dim anxieties: is any of it good enough? Have I worked through my ideas fully enough? Will others see what I see, or wish to stop and muse in these spaces of drift and damp? I hope, and will know more in time.

https://givenwater.wordpress.com/

Water, water everywhere--and yes, at the show, I'll be offering water (locally sourced, of course,) to drink!

Leaf, bloom, water

Wild strawberry blossoms

In fog again, world
without horizon; you are seized
by the smallest things.

Trapped Stick Open Water

Soon Time Spring (melt haiku)

Soon Time Spring

What is the sound of melting?

Sound of Running Water (encore)

Sound of Running Water 2 (more video haiku)

Sound of Running Water iv (Ice and Bubbles)

Sound of Running Water v (Whirling)

Sound of Running Water vi (Splash!)

Sound of Running Water (Video Haiku)

Sound of Running Water 1

Sound of Running Water II (Cliff Stream)

Sound of Running Water III (Tiny Bubbles)

Notes:  If a short video were to be a haiku, what would its characteristics be? A short observation, a subtle surprise, a lovely sound?  For now, I'm going to work with such a definition, but if you have other suggestions, by all means let me know!

Melt

Melt water gathers beneath the ice, runs out down the rock face and pools at the bottom of the hill. Freshets everywhere.  

To watch on Youtube: http://www.youtube.com/watch?v=niu7Q5xPgVI&feature=share&list=UUgWDhn2jpndC4hdPd8vb0zg

At the ice edge

At the ice edge

pain

and rough slabs of poetry.

*Big shout out to Jack Wong for the phrase "rough slabs of poetry." Thank you.

Today was the first day this season that we woke to ice on the pond and it did not melt during the day. A bitter northwest wind froze cloth to the line beneath the clothespins, turned sheets to boards.

What you hope to find at the end of your rope

Lost last days of summer

Dry heat.
Golden light. Dusty
roads. Cornsilk and warm
tomatoes. Dogs riding in
the backs of trucks, tongues
lolling. Dry creek beds.
Stones in your shoes and the sweet
smell of water, forest
shadow, red cedar, green
moss.

Afternoon.
Children rush down the dock and
leap into saltwater.
Again. And
again. 
Look here,
over here. 
Watch me
now!
Onshore, by splayed
bicycles, a
damp dog barks.

Texada Island, August 2013

Photos were taken on Texada Island in August. The poem was composed from notes in my summer journals, drafted after a long walk on Texada.

Indecision

Who, if not you,
ever made a ritual of cinders?

Who, if not you,
loved the lost, last hopeless fix?

Who, if not you,
will care for an absolute?

Who salvages a dead wreck's timber,
or refuses her own goodbye?

At night, in darkness, in the grief of flight
we travel, we keep watch, our bleak eyes unblinking, while

over that hill, our hopes are burning.
Who, if not you,

bites sleeping fire and ruined salt?
What is the value you give your dreams?

Who carries on,
detained by shadows, among trembling wings?

Who knows how long and far these faint hopes
will carry us?

Every night we lie in wait, our stony thoughts
clattering in the waves,

confused as to estates and territories,
the lost science of tears, those ship's ruins we love too much.

Italicized lines are taken from Neruda's "Sonata and Destruction" and rearranged. Photos are taken from the deck of Quoddy's Run in British Columbia, from behind Russell Island, and from Queen Charlotte Strait.

We continue, uncertain about what to do with our quite seriously damaged boat, which blew over at the Canoe Cove yard during a storm in late September. Part of the surveyor's report is in. It doesn't look good. While it would be wiser to cut and run perhaps, what would it mean to give up on our vessel, the dreams she provoked or the places she has taken us? This poem is for her--and for skipper extraordinaire, my co-insomniac, Marike Finlay.

Cows With Horns

4 March 2011
Puerto Escondido, Baja California Sur


Two nights ago our friend Dorothy dreams--really it is a nightmare--that she is being gored, cleanly, by a bull.  And that, although many people crowd the street, no one comes to her aid.

Did anyone notice she was being gored? She cannot say.

Then yesterday as we walked up the dusty road to the tienda, a strange lowing animal cry floated out from the bush. We looked, and saw nothing but buzzards circling in the sky, riding the currents up the pink mountainsides of the Sierra de la Giganta.

We entered the tienda--we were back again another year!  The owner greeted us like old friends.  Everyone remembers Marike, la Maria grande who speaks fluent Spanish with an Argentinian accent.  We bought a few supplies: tortillas, a head of cabbage, peppers, yoghurt, onions, some chicken, avocados, some tomatoes, raisins.  No cucumbers--they froze in the last cold snap and aren't available.

Suddenly, outside, a commotion.  Bellowing.  There at the side of the shop is a horned bovine.  Your bull! Marike cries to Dorothy.  And then we notice the hanging udders.

The owner comes out and chases off this skinny desert cow, who clatters up the road to join a lowing companion.

She's a bad one! the owner says.  Bit off the water hose earlier this year--we had water shooting fifteen feet into the air.

You see that green there? She points to a patch of bushy blooming bougainvillea, the only green palm and some grasses.  It's all grown up because of that water, and now she comes to eat it, the wretch!

A smart one, Marike says tapping the side of her head. Inteligente.

As we walk back up the road Dorothy comments, that's not the cow of my dreams.

Because it's had a sex-change operation?

No.  Because it's more white than black.

That sounds like a metaphor or a moral, but its import escapes me.  Was this walk a fable?

Images
Cactus, San Juanico, Baja California Sur, Mexico
Buzzards, Puerto Escondido, BCS, Mexico
Cattle skull, shadow, San Juanico, BCS, Mexico

The Beauty of the Ice

The beauty of the ice has everything to do with where water gathers,

and how it cracks.

Gammon's Pond and West Quoddy Bay, Nova Scotia

Impending Events

September first and the air is full of impending events.  School begins of course, and with it, for me, the fuller contours of a new job.  But what is preoccupying everyone here along the usually cooler shores of Nova Scotia is the heat--and the threat of hurricane Earle, swirling up the seaboard from the Caribbean. 

For now, the air is still, nearly windless; the sea calm, warm enough to entice us to stay in the water for abnormally long periods.  Whatever this is, this heat and stillness, it will not stay, that much is certain.  We look over our shoulders superstitiously--how must we pay for this slice of Paradise?  And then that worry subsides, worn away by the suck of water on sand, the joyous play of a dog with a stick and the cool prickling of salt on skin.

We are enthralled by the light.


Images
Psyche Beach, Taylor's Head Provincial Park, Nova Scotia
Bathsheba on the beach
Marike rescues a beached crab
Bathsheba buries a stick
Evening light

Undying Light

15 June 2010

We're walking around the yard after dark.  A pink glow backlights the silhouettes of trees to the west, a sliver of moon begins to set as the evening star rises, and bats flit through the air.

The peepers are still singing; the wind, which raged all day, tossing stinging salt spray across the yard, has settled; a flower of some sort opens and vibrant perfume fills the air.  We walk along the water's edge; our feet are in darkness but the sea still glows softly silver.  "This time of year," Marike says, "the light seeks surfaces where it can linger."

It's as if, just like us, it's not ready to slumber yet, but clings, wakeful, to every last minute it can turn to day.