When at first you set out

When at first you set out, your feet do not know where the road will go, or how.

The head thinks it knows, but it may not.

(After all, in the thick of winter, the leaves were supposed to have loosened, to have fallen. What then of such insubstantial strength, such golden light?)

Who can explain our brittlest survivals? Or the beauty of ice, in a broken space?
It befalls us: inessential, necessary, ordinary--as uncomfortable as prayer. 
What is the meaning of life?
Why are only some days full of light? 

For those of us already living, what matters in a new year is to perdure, to endure--there is no experience without an undergoing,  without perseverance, without suffering.

Lightening struck, we stagger, try to be like that tree that groaning, still stands.
Noble beyond reckoning. Beautiful in every cracked and shattered limb.

All hope is here: not in what is absolutely new, but in what there is to learn from those who carry on, blind as we all are, but abiding, open-hearted.

Indecision

Who, if not you,
ever made a ritual of cinders?

Who, if not you,
loved the lost, last hopeless fix?

Who, if not you,
will care for an absolute?

Who salvages a dead wreck's timber,
or refuses her own goodbye?

At night, in darkness, in the grief of flight
we travel, we keep watch, our bleak eyes unblinking, while

over that hill, our hopes are burning.
Who, if not you,

bites sleeping fire and ruined salt?
What is the value you give your dreams?

Who carries on,
detained by shadows, among trembling wings?

Who knows how long and far these faint hopes
will carry us?

Every night we lie in wait, our stony thoughts
clattering in the waves,

confused as to estates and territories,
the lost science of tears, those ship's ruins we love too much.

Italicized lines are taken from Neruda's "Sonata and Destruction" and rearranged. Photos are taken from the deck of Quoddy's Run in British Columbia, from behind Russell Island, and from Queen Charlotte Strait.

We continue, uncertain about what to do with our quite seriously damaged boat, which blew over at the Canoe Cove yard during a storm in late September. Part of the surveyor's report is in. It doesn't look good. While it would be wiser to cut and run perhaps, what would it mean to give up on our vessel, the dreams she provoked or the places she has taken us? This poem is for her--and for skipper extraordinaire, my co-insomniac, Marike Finlay.

Every spring, hope

I am
thinking of my
mother sliding through the
dappled light, on her way to
market.

She stops
at the pond to
listen to the frogs sing.
Every spring the same story, every
spring, hope.

Notes

This poem is composed in cinquains, five line syllabic stanzas that follow a rule in which the first line has two syllables; the second, four; the third, six; the fourth, eight; and the final line has, again, two syllables.

The poem was written while enroute from Halifax to Calgary, over Saskatchewan, then posted in Calgary, while waiting for a flight to Victoria. (Kudos to free wifi services in airports. Thank you!)

Photos were taken in or near St. Paris, Ohio, where my parents live.