Showing posts with label Mexico. San Juanico. Show all posts
Showing posts with label Mexico. San Juanico. Show all posts

Tuesday, March 29, 2011

Poet Tree


The Poet Tree grows at the back of a narrow strip of sand and cobble beach in the Bahia San Juanico, also known as San Basilio, a remote harbour in the Mexican state of Baja California Sur.  Fittingly, it stands alone, back against a cliff--this is and is not a metaphor.


San Juanico is vast and easy to get into in the dark, which is why we like to go there when we're crossing the Sea of Cortez from San Carlos, on the mainland.  It is circled by cactus-covered mountains and virtually uninhabited--a few fenced cattle ranches ramble over the hills, their roads washed out, their gates rusty--and the back of the harbour hides an oasis where cattle gather, and sometimes die.


A volcanic reef stretches across the southeast corner of the harbour; it is home to sea lions and grebes, ospreys, gulls, pelicans and blue footed boobies.  Sand dunes stutter along the backs of several beaches, rocky cliffs rise up like broken teeth; cactus driftwood and shell fragments gather in shallow caves, and buzzards circle in the updrafts, so too magnificent frigatebirds, their tails scissoring in the wind.  San Juanico is a good harbour for sailboats and kayakers, safe in northerly, westerly and southerly blows, but there are few resources really--no fresh water and no food unless you fish it from the rocky ledges; the highway south to Loreto is 12 kilometers away across dry washboard dirt roads.


Still, the place is a focal point. Sailors gather here to shelter from winter northerlies, to burn trash ashore, to walk, snorkel, sing, cook together, or paint.  In the last seven years, we've returned here at least fifteen times.  Sometimes we're here alone.  Other times, we have lots of company, including campers who brave the roads to set themselves up on a protected beach, or shrimpers seeking shelter while they sleep or make repairs. We've had bonfires, sing-alongs, painting parties, pot-lucks, beach parties, hikes--once with our friends Paul and Dee we even built a sort of beach fort as shelter from the sun so we could paint and read and swim and snorkel all day.


Huge sandbars extend from some of the beaches, so that you can wade for a very long time without getting your thighs wet--we like to pretend sometimes that we can wade almost to our boat, though really, that's just an optical illusion.


For years now, people who arrive in boats have left mementos of their passage on the Poet Tree--glad to be here, glad to have arrived, glad to have survived--usually their leavings consist of sand in a bottle or their names inscribed on a scrap of wood or a bit of shell or a ripped up cap or shoe.



Most of this tree graffiti doesn't last very long; within months the sun and the wind destroy whatever any of us have left.  This year, on my annual pilgrimage to the tree I noticed a new addition--a silly plastic skull, obviously from Day of the Dead celebrations last year.  Tree trash or poet tree, take your pick.  The date remains, but I have no idea who put it there--their boat name is already wearing away.  Within a few months, only the photograph will remain.  


If skulls don't remind us how short life is, what will?


Finally, my favourite bit of the poet tree--another heavy-handed metaphor, a bit of broom to sweep out the mess, the old ideas, the dust that gathers daily and clouds the mountain tops or settles in every crevasse and corner and cushion. Perhaps I like this straw poem too because it isn't a macho instrument; I'd bet the broom-leaver was a woman.




A confession: we've never left anything at or on the poet tree. I'm not sure why--shouldn't a poet leave something on a poet tree?  

But I never know quite what to say; I feel overwhelmed, not by the tree--it's small there, in this vast space, decorated in leavings, boat nail parings, not quite almost trash.  So I stand beside the tree and look out, look away, over the bay, and paint or snap away.  



No poetry for the poet tree, just visible poetry, here....For it is also true that this blog, visible poetry began there, in San Juanico, with looking and painting, and then, later, with some lines of poetry.

Images
Poet tree, Bahia San Juanico, Baja California Sur, Mexico
Bahia San Juanico seen from nearby hilltop
Cattle skull, mouth of the oasis, looking out to sea
One of the Bahia's many beaches
Jay and Anita Bigland make beach music
Sand bar, Quoddy's Run (on the right), rocks at the SE edge of the Bay
Poet tree messages
Another beach, low tide

Tuesday, March 15, 2011

February in Mexico

19 February 2011

San Carlos, Sonora, Mexico



It happens here that the seasons get confused in your head.

I imagine it is summer, but it is not.



At home the snow piles in banks as high as my shoulders.

But here, the red mountains glitter in a green sea,

and the pelicans drop cleanly into the water. 




25 February 2011
San Juanico, Baja California Sur, Mexico



Still, it is cold here.



Nights drop below 10 degrees C and we huddle in the cockpit beneath blankets, marveling at the stars.  It will snow today on the California coast, and tomorrow on Tucson; on Sunday, here in the Baja, we will reap a harvest of wind and more cool air.  Then, next week perhaps, warm.  Strange to walk in the desert unparched, feet, head and arms cool.  





The air smells of sage and bitter oranges, the buzzards circle overhead, cacti twist and spread, but the earth is cracked and broken, the ocotillo clatter into the sky, leafless, the whole plant forcing just a single scarlet bloom.  This, or death.




Cholla lose their bark, shells sink in the dirt, the grasses are bleached yellow and grey.  



Even the water is cloudy, the birds scarce; for the moment a hard season here.



But the mountains remain, their peaks and cutaway faces shifting colour in the light: grey, yellow, rose, ochre, green, sanguine, blue, violet, black.



Images
Bougainvillea blooms, pigeons on a wire--San Carlos, Sonora
Moon sets above reddening mountain, early morning, Bahia San Carlos, Sonora
Quoddy's Run in Bahia San Juanico, Baja California Sur
Scrub growing on the lowlands, La Ramada, BCS
Desert track into the mountains near Bahia San Juanico
Ocotillo branch scrapes the sky near Bahia San Juanico
Buzzard in flight
Dried grasses, La Ramada
Scarred Cactus 
Cactus covered peak near oasis, Bahia San Juanico
Rocks bordering northern anchorage at sunset, Bahia San Juanico


Friday, April 9, 2010

Little Tsunamis


27 February 2010

We've been in San Juanico a week now, and every day I think it grows more beautiful.  It is as if we must settle into the landscape, enter its rhythms in order, truly, to see it.



Today we hiked over the hill on a stony trail and then along a sandy road to La Ramada, a little inlet on the north side of the hills that form Caleta San Juanico.  Here, surf crashes on a crescent of sand beach; green water gradually gives way to blue depths, cliffs tumble to the shore and Punta Pulpito rises in the distance, a purple and pink stony face, sheer against the sea.  Songbirds flit among the cacti on the dry hillsides, egrets stand on outcroppings and peer, unmoving, into the water, while buzzards cast dark silhouettes against the hills.  They seem to follow us up the dusty road, so that when they rise into the sky, their shadows drop behind them and pass over us--poor trudging mortals, ignorant of our fates.



Worry dogs us this trip and I am not quite sure why.   In truth it accompanies us on most trips, but this year I feel almost dangerously distracted.  Is there something I'm forgetting?  What if? What if --I don't even know which what to feel iffy about.  A sense of my own fragility follows me; I am less supple, more tired; I feel the weariness of days as in no other year.  I am afraid for my heart. Afraid of some hurt. Am I being complacent if I don't carry with me a constant sense of dread?  I feel too brittle some days to handle all of the things I think must be done.


And.  But.  Then.  We've begun a practice of getting up and heading off in the mornings while it is still calm.  Walking.  Drawing.  Marike is nearby on the beach, painting.  For some reason I can't fathom, but related to my impatience with myself in other endeavours, I can't seem to muster any enthusiasm for my own drawing or painting.  There are the camera images, there are words: these I can handle, but exercising myself, putting myself through the stretches that have kept me well, drawing, letting myself relax into a delicious langour on the beach, these things I find hard, if not impossible to do.


The water breaks further and further out; several lines of surf roll into shore, moving against the wind.  Now and then a gust throws sand into my face.


I wonder if now, having said I can not, I might be able to draw something....



Later


A strange thing happens this afternoon in La Ramada--perhaps it's related to the earthquake and its aftershocks in Chile.  The water seems to receded in the inlet, sand flats emerge, and rows upon rows of waves break, quite far out.  Then suddenly, within just two or three minutes, the water rushes in, east to west, running into every little gully and depression.  The waves settle, flatten, then, bit by bit the water recedes and the whole process begins again.  It's curious--we've watched it for several hours--and waded across the flats to a nearby spit before deciding to swim out beyond where the water was breaking.




The swim was cold but refreshing.  We've dried now, and changed our clothing.  Marike has gone back to painting and I'm sitting in the sun watching the water ebb and flow and listening to a yellow finch call and sing in a nearby bush.  A seagull waddles to the edge of one of the tidal flats and runs along the water, bending, stooping, plucking.  I imagine he's clamming.  Then the water rushes back in and the circle around him narrows....Now he wades and cries out.

How weirdly alike our two species are!


Notes

For information on the 8.8 magnitude earthquake that occurred off of the coast of Chile at 3:34 am on 27 February 2010, see http://en.wikipedia.org/wiki/2010_Chile_earthquake

Non-dangerous peculiar wave effects of the sort we observed at La Ramada were also observed in Hawaii and other parts of western Mexico.

For more photos of San Juanico and La Ramada see
http://picasaweb.google.ca/karin.cope/LaRamadaPaintingMoonlightWhale?feat=directlink

Thursday, April 8, 2010

Lost and Found on Land

25 February 2010
San Juanico, Baja California Sur, Mexico

Northerlies, northerlies, northerlies.  Fierce winds blow every day, all day.  We sit on the boat and ride up and down, watching, watching.  Will our anchor hold?  Will the 17 other boats here also hold fast? Yes, and yes, to everyone's relief.



Today the wind died down a bit and we went ashore.  We hauled the dinghy way up the beach and went for a long walk up dry creek beds and down dusty roads....Saw wild fossils, volcanic rock, all kinds of cacti living and dead, the desert in flower, birds of every sort, tracks of horse and cattle, even the dried skull of a cow of some sort, rotten hide tossed beside it, by a brackish waterhole.  I took pictures of everything, all in black and white so they have the flavour of an old Mexican movie from the 50s.  

In fact, I got so busy taking those pictures (especially of the skull) that Marike got really far ahead of me and I lost her!  And the trail.  It led beside the brackish waterhole to the beach, and then along a ridge. But I was far enough behind that all I was really following was Marike's hat.  I thought.



Turns out when I got to the beach--certain that she was WAY down the beach ahead of me talking to someone--that the hat-wearer wasn't her at all, but another sailor in a wide-brimmed floppy hat. And a beard. 



It was hot, the sun high, I couldn't find the trail, and I was thirsty. Marike had the gatorade. 


I started to get worried.  I looked way up on the ridge, along the road there, where I expected to see her, a dusty figure trudging uphill, white shorts flashing in the light. Nada. 


I used the camera to zoom in on spots at one end of the beach or another.  Yes, a flash of white, a flutter.  She's waving to me! 

Oops, no.  Pelicans, not Marike. 


Where was she?  How could she have disappeared? How could I have lost her?  What if she were on the trail somewhere and met up with a rattler or tripped and fell? What if that happened to me while I was looking for her?  Or what if I got lost? What if........?


Finally, I regained my reason and began to look for signs of the trail BEFORE the beach, between the brackish water and the last line of hills.  The beach, I reasoned, was what had distracted me; I'd been too seduced by the sea and that floppy hat, so that I missed both trail and girl.


Yes, there it was!  And there were her tracks.  I followed them along, through a fence, and soon there she was, coming back from the top of the hill. Turns out she'd seen me on the beach. Or, thought she'd seen me, but it was a mer-lady built of driftwood.  Then she did see me--I was looking right at her, she said--and she motioned for me to come. But I never saw that. 


Still, when we finally did meet up (I stowed my worry immediately, feeling silly, feeling embarrassed) that yicchy green gatorade she was carrying was pretty delicious....